Designed and implemented the first continuous interlock screening combining 35mm picture & track and computer hard disc with video projection. (“House Arrest” 1994)
First demonstration of the encrypted digital transmission of feature films to first run theaters with 30’ picture and Dolby Stereo sound over fiber optic cable. (August 1995)
First demonstration of the encrypted digital transmission of feature films to first run theaters with 30’ picture and 12 channels digital sound over C Band Satellite. (December 1996)
Designed and implemented a Video Online System to preview feature films without 35mm projection or Temp mixing. First recruited screening by Tri-Star without 35mm film. (“Bloodline” AKA "Hush") (March 1997)
First Electronic Cinema Preview in HDTV presented in Dolby E, 5.1 audio channels encoded in two data channels. (“All The Pretty Horses”) (December 2000)
First Electronic Cinema Preview in HDTV 24P presented on TI Prototype Cinema Projector. Source was a Qubit Data Recorder and screen size was 47’ wide. (Session 9) (January 2001)
First 24P Feature Film Screening at Cannes Film Festival on digital cinema chip projector and EVS Digital Cinema Server (“Nicolas”) (May 2001)
First High Definition Screening Room in International Distributor’s suite at Cannes Film Festival for Lakeshore Entertainment (“Mothman Prophecies”) (May 2001)
First digital screening approved by the AMPAS for Academy Award consideration (“Price For Peace”) October 2001
First Premier Digital Screening in 2048 x 1080, 4:4:4 RGB 10bit files with 48K 24 bit 6 track audio.
(The Island”) July 2005
First hire at Digital Cinema Distribution Coalition. Created and administered RFP for US Domestic Theatrical Distribution System (2007-2008)